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Film Review: Ice Age: Collision Course

Queen Latifah and Keke Palmer lend their voices to Ellie and Peaches in “Ice Age: Collision Course. (20th Century Fox)

Queen Latifah and Keke Palmer lend their voices to Ellie and Peaches in “Ice Age: Collision Course. (20th Century Fox)

It’s official. This is the year of animation. So many films from the genre are sprouting up like spring daisies that it’s making the Oscar race for Best Animation Feature Film a nail-biter. And it’s only midyear. Add to the list of strong contenders the fifth chapter in the “Ice Age” franchise, a doozy of a yarn that couples the creation of the planets with earth’s impending doom by a runaway meteor. The farfetched story gives kids a crash course in astronomy and planetary science, while they follow the antics of their favorite prehistoric animals.

This fantasy adventure film is squarely aimed at children and tweens. The movie abounds with very mild action, silly perilous situations, comic violence and rude humor that never crosses the line. You could show this film at a Sunday school fundraiser and not be embarrassed. For adults who crave double entendres that go over their offspring’s heads—no dice. The script by Michael Wilson, Michael Berg and Yoni Brenner, with a story by Aubrey Solomon, is almost saintly in its family-friendly, storytelling approach.

Scenes on earth have a very soft, light color (Michael Knapp art director), but the sci-fi space sequences are dark and mysterious. The pacing (Erin Crackel and James Palumbo, editors) is slower on earth and manic in space. The musical score (John Debney, Oscar-nominated for “The Passion of the Christ”) is rarely less than fanciful. And the camerawork hits the right angles (Renato Falcão, “Rio”).

In outer space, Scrat (Chris Wedge), a dizzy saber-toothed squirrel, is at it again. He’s trying to crack open his prized but never cooperative acorn. Somehow his mischievous antics find him on a flying saucer in outer space and where his actions cause the creation of the planets, or something akin to “The Big Bang.” A byproduct of his accidental endeavors is that a meteor shower is headed towards earth. And one gigantic meteor in particular could devastate the world. Holy apocalypse!

Back on Earth, Manny (Ray Romano) a woolly mammoth who has led a ragtag group of animals during the Ice Age, is nervous about his daughter Peaches’ (Keke Palmer, “Madea’s Family Reunion”) impending marriage to Julian (Adam Devine, “Mike and Dave Need Wedding Dates”). Manny’s mate Ellie (Queen Latifah) doesn’t want the couple to move far away.

Meanwhile Sid (John Leguizamo), a slovenly ground sloth, has just been jilted by his girlfriend Francine (Melissa Rauch) and that brings up a whole host of abandonment issues. Then during Ellie and Manny’s anniversary party, asteroids rain down on everyone like bombs and Manny leads the herd to a shelter in a deep cavern. Buck (Simon Pegg) a weasel (no insult intended), discovers a stone pillar with engravings that state that a previous asteroid storm had nearly wiped out the animal population. And according to his findings they must go to the previous site to find a way to avoid obliteration.

The very inventive script places a netherworld at the old meteor site called “Geotopia.” This plot device allows the filmmakers to introduce a new locale and new characters like Shangri Llama (Jesse Tyler Ferguson, “Modern Family”) the utopia’s leader and a love interest for Sid, a sloth named Brooke (Grammy nominated pop singer and former Britain’s “The Voice” alumnus, Jessie J). It’s love at first sight, at least for the head-over-heels Sid, who pines, “You’re so beautiful you take my lisp away.”

Co-directors Mike Thurmeier and Galen T. Chu keep the pressure on. Time is ticking away. The animals have just 100 minutes to escape an earth-shattering demise. The young male mammoth and his skeptical future dad-in-law have to find common ground. Sid must court Brooke. Buck must evade a mean trio of high-flying dromaeosaurs, who he has pissed off. There’s enough action to sustain the film. And although it is probably an individual viewer’s choice, and maybe kids will feel differently, Scrat’s annoying behavior gets old real fast and it’s the animals on earth who are compelling and carry the movie.

The cast does a good job with the voices, but no one gives a performance as nuanced, riveting and memorable as Ellen DeGeneres’ in “Finding Dory.” Wanda Sykes as Granny the old fiery hot momma sloth comes close. So does the rapid-fire mouth of John Leguizamo with his interpretation of Sid. The scruffy Buck has spirit because Simon Pegg gives him a solid dose of silliness. The rest of the actors, which also include Jennifer Lopez, Sean William Scott and Michael Strahan, are fine but not stellar.

School is out. This is the kind of innocent retreat from everyday routines that kids will savor. Summer is here. Huddling under the A/C in a movie theater with a bag of popcorn and watching these endearing animals roam an icy wilderness is a great way to escape the heat.

Dwight Brown is a film critic and travel writer. As a critic he regularly attends international film festivals including Cannes, Sundance, Toronto and the American Black Film Festival. Read more movie reviews by Dwight Brown here and at DwightBrownInk.com.

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