Sign o’ The Times album cover.
“In France, a skinny man died of a big disease with a little name/by chance his girlfriend came across a needle and soon she did the same.”
That’s how one of the greatest albums in history opened.
The title track to Prince’s Sign o’ the Times was greeted by critics and fans alike: pure excitement.
Thirty-three years ago with hit singles like ‘You Got the Look,’ ‘Adore,’ and ‘Housequake,’ Prince did the unthinkable.
His Sign o’ the Times outperformed on every level: Purple Rain, and 1999. In short, Sign o’ the Times was a certifiable masterpiece.
It was Prince’s Thriller, his Sgt. Pepper, or his ‘Mona Lisa.’
And, what sets Prince apart, no one thought Michael Jackson could top Thriller, and even the King of Pop knew he never exceeded his best. No one expected the Beatles to beat Sgt. Pepper, and they never did.
Indeed, Leonardo da Vinci couldn’t replicate the artistic genius of the ‘Mona Lisa.’
Prince twice topped what many believed was his artistic crescendo. Many thought the Minneapolis-born superstar would never top the 1999 album he released in 1982.
Less than two years later, he did as Purple Rain was released and topped the charts worldwide.
With hits like ‘When Does Cry,’ ‘Baby I’m a Star,’ and ‘Take Me with You,’ Purple Rain became the first to win Best Album Grammy and Best Original Score Oscar.
A groundbreaking tour and blockbuster film followed the release of Purple Rain.
After releasing Around the World in a Day in 1985 and Parade in 1986, to little excitement (compared to Purple Rain), critics and some fans opined that Prince had reached his creative peak.
Then came Sign o’ The Times.
The opening song and title track begin with a convincing bass and synthesizer and approval from Prince. “Oh Yeah,” he screeches before launching into a tour de force of artistry.
The entire album is ear-candy.
On ‘U Got the Look,’ Prince, with a guest from Sheena Easton, sings, “Here we are folks/The dream we all dream of/Boy versus girl in the World Series of love/Tell me, have you got the look?”
On ‘Housequake,’ he rocks: “We’re gonna shake, we’re gonna quake/’ Cause we got the baddest groove that we could a make.”
Turning to his sexual side on ‘If I Were Your Girlfriend,’ Prince pleads: “If I was your girlfriend, would you let me dress you/I mean, help you pick out your clothes before we go out?/Not that you’re helpless/But sometimes, sometimes those are/the things that bein’ in love’s about.”
Then, on ‘Hot Thing,’ he demands:
“Hot thing, maybe you should give your folks a call/Hot thing, tell them you’re going to the Crystal Ball/Hot thing, tell them you’re coming home late if you’re coming home at all.”
And on one of the most memorable love songs ever written, Prince introduces ‘Adore.’
On that track, Prince croons: “Until the end of time, I’ll be there for you/You own my heart, and mind/I truly adore you/If God one day struck me blind, your beauty I’ll still see/Love is too weak to define, just what you mean to me.”
“Boys are cocky. Sign O’ the Times was an album made by a grown man,” Susan Rogers, Prince’s sound engineer from 1983-87, told the BBC.
“The charts had moved on, and hip-hop was taking over. There was a world outside his door; there was restlessness; there was curiosity; there was the Aids epidemic,” Rogers said.
BBC wondered whether Sign o’ The Times was the greatest album ever made.
Michaelangelo Matos wrote for Rolling Stone in 2004 that the album was “the most complete example of Prince’s artistry’s breadth, and arguably the finest album of the 1980s.”
Music critic Stephen Thomas Erlewine wrote: “Prince utilizes a palette of genres, from bare-bones electro-funk and smooth soul to pseudo-psychedelic pop and crunching hard rock, touching on gospel, blues, and folk along the way.”
Don McLeese of the Chicago Sun-Times proclaimed Prince’s performance on the Sign o’ the Times album as “a one-man show, a tour de force, and a combination that pop’s former prodigy has come of age.”
And Robert Christgau of the old Village Voice in New York heaped this praise on Sign o’ the Times:
“The most gifted pop musician of his generation proving what a [man] he is for two discs start to finish. “Prince’s one-man-band tricks and multi-tracked vocals make Stevie Wonder sound like a struggling ventriloquist. The objects of his desire are also objects of interest, affection, and respect.”
